Movie Watch Cita en St. Louis amazon 1944 Drama genres Pirate Bay
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Margaret O'Brien
William Ludwig, Fred F. Finklehoffe
Ratings - 7,8 / 10 stars
runtime - 113 min
Release year - 1944
Genres - Drama
Did anyone else hear someone shout Hi Judy! at 2:28.
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Meet Me in St. Louis In the year leading up to the 1904 St. Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. Genre: Comedy, Music, Romance Actor: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Leon Ames, Tom Drake, Marjorie Main, Harry Davenport, June Lockhart, Henry H. Daniels Jr., Joan Carroll, Hugh Marlowe, Robert Sully, Chill Wills, Sidney Barnes, Judi Blacque, Victor Cox, Donald Curtis, Kenneth Donner, Mary Jo Ellis, Helen Gilbert, Buddy Gorman, Gary Gray, Sam Harris, Darryl Hickman, Director: Vincente Minnelli, Country: USA, Runtime: 113 min Quality: DVD Release: 1944 IMDb: 7. 7 Language: English, Views: 2124.
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Love this movie 🌏🎥📷💥❤❤❤. The Trolley Song Judy Garland With my high starched-collar and my high-topped shoes And my hair piled high upon my head I went to lose a jolly hour on the trolley And lost my heart instead With his light brown derby and his bright green tie He was quite the handsomest of men I started to yen so I counted to ten Then I counted to ten again Clang, clang, clang went the trolley Ding, ding, ding went the bell Zing, zing, zing went my heart strings From the moment I saw him I fell Chug, chug, chug went the motor Bump, bump, bump went the brake Thump, thump, thump went my heart strings When he smiled I could feel the car shake He tipped his hat, and took a seat He said he hoped he hadn't stepped upon my feet He asked my name, I held my breath I couldn't speak because he scared me half to death Buzz, buzz, buzz went the buzzer Plop, plop, plop went the wheels Stop, stop, stop went my heart strings As he started to go then I started to know how it feels When the universe reels The day was bright, the air was sweet The smell of honeysuckle charmed you off your feet You tried to sing, but couldn't squeak In fact you loved him so you couldn't even speak Buzz, buzz, buzz went the buzzer Plop, plop, plop went the wheels Stop, stop, stop went my heart strings As he started to leave I took hold of his sleeve with my hand And as if it were planned He stayed on with me and it was grand just to stand With his hand holding mine to the end of the line.
Synopsis M·G·M's glorious love story with music! In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. Cast Crew Details Genres Director Producers Writers Editor Cinematography Production Design Composer Sound Costumes Make-Up Studios Country Language Alternative Titles Срещни ме в Сейнт-Луис, Agora Seremos Felizes, Le chant du Missouri, Die große Liebe nebenan, Die törichten Jungfrauen, Cita en San Luis, 세인트 루이스에서 만나요 Popular reviews More judy garland herself said “make the yuletide gay” so we have no choice but to do just that This review may contain spoilers. I can handle the truth. Any movie which celebrates major holidays by a climactic act of cathartic violence, like being bit by Judy Garland or the mass decapitation of a snow family is a movie I can get down with. Speaking of Judy, she wore many lovely outfits but none I wanted to wear myself more than the lace-collared black top // blue/green/pink pleated skirt w/ powder-blue? gloves ensemble! I too could picture myself serenading a whole trolley car about my crush in that get-up! PS - I also found her performance of 'Have Yourself A Merry Little Christmas' quite affecting. PPS - I had no idea that at the turn of the XXth Century in St. Louis, Halloween was celebrated by children in disguise who make bonfires of smashed furniture and attack their neighbors with flour before retiring to cake and ice-cream! This review may contain spoilers. 92/100 A bit swamped with work and errands in the days before I leave for Cannes, so let me direct you to my friend Theo's capsule review, with which I concur 100% apart from the hilariously measured phrase "pretty wonderful" (as allotted to a film he rates higher than 99. 9% of everything else he's ever seen). It is in fact intensely wonderful, pure delight from beginning to end; people think of it primarily as a Judy Garland vehicle (and she's magnificent) but it's really one of Hollywood's greatest ensemble pieces, so enraptured with everybody onscreen that its essential plotlessness barely registers. The only bum note, as Theo observes, is Dad's climactic decision to remain in St. Louis, which is cheaply… Certainly the only story whose happy ending is predicated on staying in Missouri. I’m at the stage of love for this movie where the anticipation of my favorite moments is as pleasurable as the moments themselves. And all the while finding more tiny little details that reveal the genius of Minnelli, Garland and - less showy, but equally brilliant - Mary Astor. This family does not know they’re in a musical. Really one of the saddest films you can think of. Minnelli's colors, his trinket-ization of bourgeois interiors, and Judy Garland's Cake Walk dances are manic attempts by the Smith family to keep their depression at bay, to delay the growing up of the Smith sisters. As soon as the fun parts of the day end (John Truitt turning off his warm winter orange lights after asking Esther to marry him), darkness creeps in (Esther and Tootie cloaked in deep-dark blues — the shade of sorrow — they will be moving to a foreign place where they know nobody and won't be able to talk with anybody "like we do in St. Louis"). Judy Garland only infrequently smiles; in the ostensibly… Recent reviews MEET ME IN ST. LOUIS (U) D: Vincente Minnelli MGM (Arthur Freed) US 1944 113 mins Musical W: Irving Brescher & Fred Finklehoffe [based on the novel by Sally Benson] DP: George Folsey Ed: Albert Akst Mus: Georgie Stoll Judy Garland (Esther Smith), Margaret O'Brien (Tootie Smith), Tom Drake (John Truett), Mary Astor (Anne Smith), Lucille Bremer (Rose Smith), June Lockhart (Lucille Ballard) Classic Judy Garland musical about an affectionate family at the turn of the 20th century. Like the majority of the musicals of Hollywood's Golden Age there'll be those who enjoy this more than others, but many people will recognise the timeless songs, especially "The Trolley Song" and "Have Yourself A Merry Little Christmas" 8/10 It’ll take me at least a week to dig up all my dolls from the cemetery.. Classic. Funny. Sweet. Musical. Judy. And a heathen halloween. The kids steal every scene they are in. Good family movie, ideal for Christmas holidays. I kinda get it now why everyone adores Judy Garland 64% It's nice. I disapprove of pretty much everything the characters do but it was set literally a century ago. A fun holiday movie that hasn't aged very well. PS: Jesus, Halloween those days must have been scary af. Really dug this one. On the surface it’s your average Judy Garland musical, but there’s some wild shit in here. For reals, the youngest kids are fucking nuts and I love it. The rest of the film is charming melodrama that I couldn’t help but fall for, and the music is delightful HEY! I live here and love to go to the St. Louis Fair! so why the fuck I haven't seen this. Musicals are a genre of film that I don’t tend to love with the exception of a few classics like Fiddler on the Roof (1971) and The Sound of Music (1965). I had mixed feelings about this film with it being possibly the most traditional example of a musical ever made. With the involvement of Judy Garland, a performer whose work I do not enjoy, and director Vincente Minnelli, responsible for the mediocre An American in Paris (1951), I was predisposed to hate the movie. Most of my irritation with the tropes present in musicals caused me to cringe as the film went through the motions but there was also the fact that the song and dance numbers were disappointing… Um feel-good movie com musical e romance.. definitivamente não é meu tipo de filme. Enredo sem graça, que não chama atenção em nenhum momento. Popular Lists More.
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Share This Article: By Megan Bianco The way most adults feel about Frank Capra’s timeless It’s a Wonderful Life (1946) during the December holiday season is how I feel about Vincente Minnelli’s MGM movie musical masterpiece Meet Me in St. Louis (1944). Support Times of San Diego's growth with a small monthly contribution Both films are brilliant in their own rights, but surprisingly, it took me until high school to first watch Wonderful Life and appreciate it, while I basically grew up watching St. Louis as a holiday tradition. Mostly through my grandmother introducing me to MGM musicals as a kid and because Judy Garland was my favorite actor in my youth. St. Louis lives on as Garland’s second most famous film behind The Wizard of Oz (1939), and has just as much Technicolor magic as her earlier film. The movie takes place in St. Louis in 1904 throughout the summer, fall and winter seasons of the Smith family’s lives. Seventeen-year-old Esther (Garland) is in love with the boy—John Truett (Tom Drake)—who just moved next door. Eighteen-year-old Rose (Lucille Bremer) is waiting for her boyfriend away at college to propose; 19-year-old Lon (Harry H. Daniels, Jr. ) has just been dumped; and 10-year-old Agnes (Joan Carroll) and 5-year-old Tootie (Margaret O’Brien) are just interested in causing trouble. Leon Ames, Mary Astor, Marjorie Main and Harry Davenport make up the rest of family as the parents, cook and grandfather. Minnelli’s musical is famous for a lot of firsts. It’s the first time the director and leading lady properly worked together after meeting on the set of Babes on Broadway three years earlier, and the two would eventually get married and produce daughter Liza. It was the first time Garland sang her hit songs “The Boy Next Door” and “The Trolley Song, ” and the debut of holiday standard “Have Yourself a Merry Little Christmas. ” It would also be the last time the one-time child star played a teen on screen. Meet Me in St. Louis not only made a big effect on movie fans and musical aficionados, but also influenced future filmmakers. The Halloween sequence with Tootie and Agnes would inspire the color scheme of John Carpenter’s Halloween (1978), and Woody Allen would update the six-month family tale to 1996 Manhattan in his own movie musical Everyone Says I Love You. Only about 25 minutes of the film takes place during Christmas, but it is one of the best holiday sequences in cinema history, and Garland proves every time that she is the definitive singer of “Merry Little Christmas. ” Meet Me in St. Louis is just as charming now as it was to me as a kid, and I would highly recommend it to anyone who enjoys musicals, Christmas and old Hollywood. Megan Bianco is a Southern California-based movie reviewer and content writer with a degree from California State University Northridge. Why ‘Meet Me in St. Louis’ Is One of The Best Holiday Films was last modified: December 10th, 2017 by >> Subscribe to Times of San Diego’s free daily email newsletter! Click here Follow Us:.
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One of my Favorite Judy Garland songs. I loved this movie but I wished they showcased their romance in the movie more.
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Nonetheless, I am both impressed and moved whenever I watch Meet Me In St Louis. Impressed by the beautiful camera-work, the splendidly crafted sets and costumes, and the excellent performances. Moved by the result of the underlying structure, taking us through a year from one Spring to another, through the fear of encroaching night of Autumn, into the darkness of Winter, and out the other side. And moved, too, by the honour of the characters. When June Lockhart's Lucille Ballard turns out to be the very opposite of the Smith girls' vision of an East Coast snob, they are forced to change their unworthy little plan. The ensuing scene is one of the highlights of the picture for me, as Judy Garland's Esther, put on the spot by her grandfather (wonderful Harry Davenport) pays the price for her and her sister's meanness of spirit, and is rewarded by the unexpected appearance of her true love.
Yes, maybe these comfortable people in their big house can afford to be big-hearted. But that's the way symbolic drama has always worked: Oedipus and Lear are kings so that their fall is all the greater. This is the key to the inevitably more modest Meet Me In St Louis, but nonetheless the film is amazingly ambitious on its own terms, and teaches its moral lessons well, particularly so in the ballroom episode I've described above, but elsewhere too: for example, when Leon Ames's Alonzo witnesses his youngest daughter's extreme distress at the thought of leaving St Louis, and finds a way out of the situation in which he has dumped himself and his family, and thus demoting the economic values he has put before the happiness of his nearest and dearest.
But it isn't all morals. The emotional heart of Meet Me In St Louis is the relationship between sisters Esther and Tootie, played by the headliners Judy Garland and Margaret O'Brien. This finds its climax in the heart-rending "Have Yourself a Merry Little Christmas" which I have watched through tears on many occasions. Situated in the depths of winter, it is a lament for hope defeated by loss, simply filmed, magnificently acted - especially by the amazing O'Brien - and perfect in every way.
Don't let my 8 out of 10 fool you: Meet Me In St Louis is a wonderful piece of work. I concede the two points firstly because "Skip to my Lou" which does nothing for the story, should have been completely re-thought or, ideally, cut; and secondly because, in the 21st century, the idealisation of the family's world has lost some of its power - especially when you consider author Sally Benson made her screen debut a year earlier working on the dialogue for a somewhat more critical celebration of mid-West life, Alfred Hitchcock's Shadow of a Doubt. As we've seen, it's not as if darkness doesn't inhabit the world of Meet Me In St Louis, in particular that of Tootie, who imagines she has killed someone, that someone has tried to kill her, that Katie the maid (the incomparable Marjorie Main) has killed her cat, and so on. But today the no-place-like-home/love-conquers-all message of this wartime fantasy, no matter how brilliantly it is realised, sits as uneasily with us as, say, Shakespeare's Taming of the Shrew does.
The fact that I can happily discuss Meet Me In St Louis in the same breath as great works of drama demonstrates to me that whatever reservations I, or others, may have, it is still a magnificent achievement, and an undoubted masterpiece of American cinema.
Movie Watch Cita en st louis. OMG it amazing how they restored it. Movie watch cita en st. louisville basketball. Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. Movie watch cita en st. louise. Movie watch cita en st. louis online. Movie watch cita en st. louis 2017. Ver corto Estreno: 22 de noviembre de 1944 Reparto: Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Leon Ames, Tom Drake, Marjorie Main, Harry Davenport, June Lockhart, Henry H. Daniels Jr., Joan Carroll, Hugh Marlowe, Robert Sully, Chill Wills Dirigida por: Vincente Minnelli Calificación: 7. 7 / 10 (15097 votes) In the year before the 1904 St Louis World's Fair, the four Smith daughters learn lessons of life and love, even as they prepare for a reluctant move to New York. Compartir: Visitors of SubtitlesBank have given a rating of 7. 7 / 10 for Meet Me in St. Louis subtítulos. Subtitles of different languages may be downloaded for free as a file from our site. Inside, you'll find an file, which is actually what adds the translation to your video. HD-quality versions are also available. Meet Me in St. Louis first appeared on the screen back in 1944. We encourage you to leave comments regarding the Meet Me in St. Louis subtítulos: is the translation good enough? Are there any mistakes? What other subtitles would you like to see from us? The subtitle database SubtitlesBank is sure to delight lovers of world cinema masterpieces. Now you'll be able to watch and understand any movie or show. All you need to do is click on the appropriate link, download the free subtitles, and attach them to your video!
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Relaxed Waves For a casual take on a half-up, half-down hairstyle, add a little bit of volume in the form of loose waves and twist the front sections together. Emma Collins Beauty was responsible for this effortless look. Braid for the Occasion An inverted braid in the perfect way to pull your hair back without being too fussy. Want something a little more exciting? Pick up a jeweled hair accessory (this one's by Tania Maras) to wear around the crown of your head. Pony Up The Glamourist helped this bride pull her long hair into the sweetest ponytail. Short But Full Shorter-haired brides still have plenty of options for simple big-day hairstyles. Take this one by Tammy Dalton of Modern Salon & Spa. Shoulder-grazing locks were curled for a look with movement and fullness. Face-Framing Pieces If you want your hair up but not all the way, take a cue from this hairstyle by. Volume at the top of the head and face-framing pieces with a wave at the bottom ensured it looked elegantly undone. Beautiful Bangs Bangs are great if you plan on wearing a veil. As for the rest of your hair, you can pull sections back to secure the headpiece and wear the rest down. Marian Filali made this bride look effortlessly chic. Braids All Around Braids aren't just for pigtails. They can get fancy, especially in sleek updos like this one by Storme Make Up, which curved them around towards the back of the bride's head to showcase her dress's ornate back. Voluminous Waves Gathering hair mostly to one side is one way to add a bit of drama in a subtle way. This bride's waves had shine, too, thanks to hairstylist Caitlyn Meyer, with further emphasized the shape. Retro Style If you choose to keep your hair down, make sure it's touchable. A side part and loose finger waves, like these by Jennifer Cruz, almost always look silky, soft, and understated. Sleek Yet Simple You can't go wrong with a super straight ponytail. Add a little something extra by twisting hair around the base, like Calvyn Cass of Brush Salon did here. On the Side If your hair is short and thick, it can really draw the eye up, which is just what you'll want to do on your wedding day. A deep side part will give you just the right amount of drama. A Tight Bun When your dress is as ornate as this high-necked, open-back number, it's best to go with an updo to show it all off. Here, Flawless Bride twisted the bride's hair into a compact bun at the base of her neck. A Perfectly Unperfect Braid A thick side braid is a simple and stunning style to consider. Adrienne Aereboe took this bride's long hair and wove it together in a way that was done but not too much. A Classic Low Bun If you're unsure how to wear your hair, like this bride was, consider something timeless and easy: a low bun with a middle part. The Side Door salon styled this updo, giving the bride a super chic hairstyle without any fuss. Slightly Slicked Back Keep the volume of big waves without hair getting in your face in one simple move: Ask your hairstylist (in this case Yene Damtew) to slick back the first few inches of your hair behind your ears. A Curly Coif If you've got natural curls, embrace them. Add a bit of volume to the roots and then pull your tresses back into a low bun that will look good from every angle. Vespa Hair Design handled this bride's curls beautifully. A Bouncy Ponytail A low, full ponytail with bouncy waves can pair with almost any style of wedding dress. Lucas Shaffer 's version, seen here, beautifully anchors the veil and balances out the dramatic slit in the bride's gown. A Modern Bun Buns come in all shapes and sizes and styles. Some are quite elaborate and filled out with extensions. Others, like this one by Dax Sarmiento, are modern and minimal. The twisted, low bun complemented the deep V of the bride's gown. Short and Slick The back of this bride's dress made quite a statement, so she chose to keep her accessories to a minimum and her hair super simple. A polished bob was all she needed. Romantic Waves For an elegant, timeless option that still feels effortless, ask your stylist to set your hair in loose waves then pull them back into a low twist, just like Face Time Beauty did here. Partially Pulled Back If you're wearing a wedding dress that shows off shoulders like this one, you'll certainly want to wear your hair pulled back, like the The Glam App did for this bride. A Low Knot Simple can be chic, too. This bride's low knot is the perfect example of how to get it right. Wear It Down Warren Tricomi left this bride's hair down for a super simple look, but gave it lots of texture and movement, too. All the Way Down Cool Girl Curls The best addition to a ball gown wedding dress and leather jacket ensemble? Effortlessly lovely hair. These voluminous curls (by Danielle Style) are beautifully imperfect and casually cool. Accessorize in Style Sometimes the only thing you need to add to a wedding look to make it aisle-ready is a simple hair accessory. This elegant hair vine added something extra special to this bride's simple wedding hairstyle by Bob and Page. Understated and Sophisticated Simple doesn't always mean long and loose. These brides both rocked soft, sleek updos for their sweet outdoor celebration thanks to Kacee Picot and Inga Cox. Their hairstyles fit beautifully with the romantic vibe of their day. Combs and Curls Want to keep things simple, but still feel elegant on the big day? Do like TEAM Hair & Makeup did here and pair long curls with a statement-making comb. Bonus: The accessory will keep at least some of those beautiful locks out of your face for photos, vows, and general reception merriment. Glammed Up Curls Full curls are always a wedding win. Beauty by Melina made the simple look stand out with extra-large ringlets and the addition of a bright floral accessory. Top Knot Chic Top knots are the definition of simple on any day, but can also be surprisingly wedding-worthy. To make this iconic look big day-ready, Janet Villa kept it tidy and taut. The look pairs perfectly with a chic, modern dress. Curls for Days When you have hair this long, all you need to do is add a few curls and go. Enter Mackenzi Laine. A chapel-length veil never hurts the finished product, either. The Low Pony Look Sometimes an outdoor wedding calls for a little more hair control than the long and loose look. Take notes from this bride's awesome style and incorporate a low, chic ponytail into your day-of decisions. Shoulder-Length Curls The two most unassuming ingredients for a glamorous wedding look? A deep side part and curls. This bride rocked both to gorgeous effect. Low Updo Inspiration There's just something so striking about a sleek, low updo that really makes it the best addition to a simple wedding look. Case in point, this bride's hairstyle by Sarah Selbo. Long Locks Is there anything more fun than a bold and bright wedding look? To allow her gorgeous dress to stand out, Harold James kept this bride's long locks in large, sleek curls and the effect is flawless. Setting It Straight While curls are a wedding staple, we always love when a bride chooses sleek and straight big-day hair. That decision looked amazing on this bride, especially when paired with her bohemian wedding dress. Loose and Lovely These glamorous waves aren't quite as dramatic as some curled wedding hairstyles, and the look is a gorgeous option for this bride's classic style! Well done Aleksandra Ambrozy. Loose Updo A low, relaxed updo is always a good idea! This bride's imperfect bun by Melisande Page of Beauty Exchange NYC provided gorgeous balance for her dress's long sleeves and high neckline. No Stylist Required 3 deseos y medio Feeling fancy free for your wedding? Center parts, long, loose hair, and flower crowns are definitely the way to go! This pair did just that with help from Alizia Moreno. Down the Middle To finish off this bride's simply chic look, Bridal Hair by Ramona designed a loose, low bun with a sleek center part. Floral Half-Up, Half-Down Hairstyle With some help from Fiore Beauty, this bride kept her hairstyle simple and soft. Wax flowers were intertwined into a half-up, half-down look. DIY Simple Wedding Hairstyle This bride styled her own hair—a loose bun on the side of her head—and finished off the 'do with a fresh gardenia instead of a veil. Swept to the Side This asymmetrical braided 'do by Jessica Cook featured a flower pinned in the back. A Full, Low Bun This bride's perfectly shaped bun from Wedding Tresses, rested low on her neck and gave a sleek edge to her beauty look. Top It Off This trendy bride rocked a top knot bun styled by Vanessa Afshari, showing off her fresh face and keyhole-backed dress. Get Sculpted Delbarr Moradi Photography Stylists from The Powder Room gave this bride a low, sculptural bun for her big day. Ride the Waves Bethanie J Hair gave this bride a simple blowout and center part to make her blonde locks look as natural as possible. Slicked Back With help from stylists at Professional Makeup Artistry, this bride wore her hair pulled back in a sleek, tight bun, with a trendy wrapping technique at the base. Simply Natural Another simple half-up, half-down 'do that proves less can be more! This bride looked gorgeous with half her hair swept up neatly away from her face. Kristin Russell of Green Pea Salon made sure her natural waves were front and center. Twisted Sister Amy Clark created this half-up half-down hairstyle with a natural-looking, twisted braid.
Finding this channel was the best thing that ever happened to me ❤️. From Wikipedia, the free encyclopedia Jump to navigation Jump to search This article has multiple issues. Please help improve it or discuss these issues on the talk page. Learn how and when to remove these template messages) This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: A Simple Wedding" – news newspapers books scholar JSTOR ( February 2020. Learn how and when to remove this template message) This article is an orphan, as no other articles link to it. Please introduce links to this page from related articles; try the Find link tool for suggestions. February 2020) Learn how and when to remove this template message) A Simple Wedding is a 2020 romantic comedy film directed by Sara Zandieh. It stars Tara Grammy, Christopher O'Shea, Shohreh Aghdashloo, and Houshang Touzie. A Simple Wedding Directed by Sara Zandieh Written by Sara Zandieh, Stephanie Wu Starring Tara Grammy Christopher O'Shea Shohreh Aghdashloo Houshang Touzie Release date February 14, 2020 This article has not been added to any content categories. Please help out by adding categories to it so that it can be listed with similar articles. (February 2020) Retrieved from. Hidden categories: Articles lacking sources from February 2020 All articles lacking sources Orphaned articles from February 2020 All orphaned articles Articles with multiple maintenance issues Uncategorized from February 2020 All uncategorized pages.